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KMK: Interview – Kala MC

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In today’s popular music landscape the clouds loom heavily with people who can sing. It’s a rare and wonderful treat to hear a singer. A singer owns her instrument and utilizes it like a scalpel to slice away the callous of everyday life to reach your soul. Kholo Matsafu (AKAKALA) is such a singer. She’s been on the Korean music scene playing club venues and world festivals as a solo artist and part of the Low End Theory collective. Kala MC graciously gave KMK a few moments of her time to answer some questions about who she is and what she does.

 

Music in Motion
Music in Motion

Tell me about your craft. When did you first start singing? Do you write lyrics?

Ive been singing since conception.*chortles malevolently.

Depending on what is required, I do write my own lyrics – but i have a penchant for verbosity so I’m constantly editing down.
 Whenever ive featured on a song or a dnb mix i cook up the hooks and melodies. My bandmates help me to tweak and procure.
Most of my live shows are impromptu unless im doing jazz covers.

What inspires you as an artist?

Life an the stuff of it.

Has living in South Korea affected your creative process? What are the highs and lows of working in a foreign land as an artist?

Being here has assisted me in nurturing my creative process by allowing me the space and time to focus on my craft.
There is a creative hub that exists here that makes it possible for collaboration to take place. That in itself expands the possibilities for anyone who wants to pursue any aspect of their creativity.
Having the opportunity to work with people from across the world is a definite thumbs up about being in korea.  As well as the tokenism that comes as a byproduct of being a foreigner.
However, Visa acquirement issues and Shifty eyed promoters who promise big things and seldom deliver, are the biggest knocks for anyone seeking a career as an artist here.

How does your nationality and identity as a South African influence your work?

Well im a black girl. Who can sing. Like many other black girls who can sing. Being south african is just another statistic really.

What’s been your most fulfilling gig so far?

One of my first gigs with jpath, opening for goldie on a junglist night at mansion. I was 24 years old had no clue what i was doing and both goldie and jpath  was so generous and encouraging and and inspiring that i oathed myself to be a superhumanrockstar^^

How can people discover your past work and what projects are you working on currently?

To be honest, i suck at social media- most of my stuff is live and impromptu.  the best way to get a taste is if you come to a show. ive got a facebook page :KALA MC where i post all upcoming events. Im working in a website and have a soundcloud up with past mixes.

Finally, what would I find on your MP3 player?

Eegad!

Thats a tough one – the ultimate litmus test of musical taste…*drumroll smokemachine – neon lights- BOOM
press play and you might stumble upon wes montgomery, ella fitz and bessi smith,miles davis, donny hathaway,sharon jones and the dap kings, kmd, mfdoom, mos def, talib, qtip, de la soul, jurrasic five, jj kale, stevie ray vaughn, fleetwood mac, david bowie, jacksons, sade, feist, little dragon, yuna, sam smith,aaliyah, tamarrablessa,terri walker, d’angelo,badu,buenevistasocial club, compay segundo,bonobo,zero7,quantic,340ml,
Crazypenis,dbridge, lenzman, alix perez, spectrasoul…blah blah blah
theres definitely a lucky packet aspect to my tunes. Whew! Im spent.
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Brian Dye
I’m a blogger, writer, and urban explorer. I worked in South Korea’s ESL field for the 15 years. My one year contract turned, unexpectedly, into a journey!
https://kissmykimchi.com

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